{"id":7952,"date":"2025-07-29T17:42:37","date_gmt":"2025-07-29T15:42:37","guid":{"rendered":"https:\/\/evm.ch\/fotograf-in-luzern\/?p=7952"},"modified":"2026-02-22T14:30:17","modified_gmt":"2026-02-22T13:30:17","slug":"objektive-von-zeiss","status":"publish","type":"post","link":"https:\/\/evm.ch\/fotograf-in-luzern\/objektive-von-zeiss\/","title":{"rendered":"Objektive von Zeiss"},"content":{"rendered":"\n

Die Geschichte der Zeiss Objektive<\/strong> ist eine der \u00e4ltesten, traditionsreichsten und technologisch bedeutendsten in der Welt der Fotografie. Sie umfasst mehr als 130 Jahre<\/strong> Entwicklung \u2013 von der fr\u00fchen Optik f\u00fcr Plattenkameras bis zu heutigen Hochleistungsobjektiven f\u00fcr Digitalkameras, Film und Industrie.<\/p>\n\n\n\n

\n\n\n\n

ZEISS Objektivgeschichte in 5 Epochen<\/h2>\n\n\n\n
\n\n\n\n

1. Die Anf\u00e4nge \u2013 Jena & der Urknall der Optik (1886\u20131945)<\/strong><\/h3>\n\n\n\n
    \n
  • 1886<\/strong>: Zeiss entwickelt mit Paul Rudolph<\/strong> das erste anastigmatische Fotoobjektiv “Protar”<\/strong> \u2013 revolution\u00e4r f\u00fcr Sch\u00e4rfe & Verzeichnung.<\/li>\n\n\n\n
  • 1896<\/strong>: Einf\u00fchrung des legend\u00e4ren Planar<\/strong>-Designs \u2013 heute noch verwendet!<\/li>\n\n\n\n
  • 1902<\/strong>: Tessar<\/strong> entsteht \u2013 \u201eAdlerauge deiner Kamera\u201c. Kompaktes, scharfes Standardobjektiv, Jahrzehnte lang Standard in Kameras weltweit.<\/li>\n\n\n\n
  • Fokus in dieser \u00c4ra: Gro\u00dfformat<\/strong>, Plattenkameras, fr\u00fche Leica-\u00e4hnliche Prototypen.<\/li>\n<\/ul>\n\n\n\n
    \n\n\n\n

    \ud83e\uddea 2. Der Nachkriegs-Split: Zeiss Jena vs. Zeiss Oberkochen (1945\u20131989)<\/strong><\/h3>\n\n\n\n

    Nach dem Zweiten Weltkrieg wird Zeiss durch den Ost-West-Konflikt in zwei Firmen aufgeteilt:<\/p>\n\n\n\n

    Ort<\/th>Firma<\/th>Objektive<\/th><\/tr><\/thead>
    Jena (DDR)<\/strong><\/td>VEB Carl Zeiss Jena<\/td>DDR-Kameras (z.\u202fB. Praktica)<\/td><\/tr>
    Oberkochen (BRD)<\/strong><\/td>Carl Zeiss (West)<\/td>Contax, Rolleiflex, sp\u00e4ter Hasselblad<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

    \ud83d\udd27 Wichtige Designs<\/strong> in dieser Zeit:<\/p>\n\n\n\n

      \n
    • Sonnar<\/strong>: lichtstarkes Teleobjektiv (1930er Urspr\u00fcnge, sp\u00e4ter modernisiert)<\/li>\n\n\n\n
    • Biogon<\/strong>: Weitwinkel mit fast keiner Verzeichnung \u2013 heute noch beliebt<\/li>\n\n\n\n
    • Distagon<\/strong>: f\u00fcr SLRs entwickelt \u2013 r\u00fcckw\u00e4rtiger Fokus, f\u00fcr Weitwinkel<\/li>\n\n\n\n
    • Planar<\/strong>: DAS Standardobjektiv der 1950er\u20131970er (besonders auf Contax)<\/li>\n<\/ul>\n\n\n\n
      \n

      Zeiss-Objektive wurden u.\u202fa. in Hasselblad-Kameras der NASA<\/strong> bei den Mondlandungen verwendet.<\/p>\n<\/blockquote>\n\n\n\n

      \n\n\n\n

      3. Zeiss & Contax: Goldene \u00c4ra der 1970er\u201390er<\/strong><\/h3>\n\n\n\n
        \n
      • Zeiss kooperiert mit Yashica\/Kyocera<\/strong>: Das Contax-System<\/strong> entsteht.<\/li>\n\n\n\n
      • Die legend\u00e4ren Zeiss T Objektive<\/em>* f\u00fcr Contax SLRs werden weltber\u00fchmt:\n
          \n
        • Planar 50mm f\/1.4 T<\/strong>*<\/li>\n\n\n\n
        • Sonnar 135mm f\/2.8<\/strong><\/li>\n\n\n\n
        • Distagon 28mm f\/2.8<\/strong><\/li>\n<\/ul>\n<\/li>\n\n\n\n
        • Mechanisch & optisch perfekt gebaut, oft noch heute im Einsatz mit Adaptern (z.\u202fB. auf Sony E-Mount).<\/li>\n<\/ul>\n\n\n\n
          \n\n\n\n

          4. Zeiss im digitalen Zeitalter (2000\u20132015)<\/strong><\/h3>\n\n\n\n

          \ud83d\udd27 Manuelle Objektive f\u00fcr DSLR & Cine<\/h4>\n\n\n\n
            \n
          • Zeiss bringt ZF (Nikon F)<\/strong>, ZE (Canon EF)<\/strong>, ZK (Pentax)<\/strong> \u2013 alles manuell fokussierende<\/strong> Objektive mit T*-Verg\u00fctung.<\/li>\n\n\n\n
          • Beliebte Linsen:\n
              \n
            • Distagon 21mm f\/2.8<\/strong><\/li>\n\n\n\n
            • Makro-Planar 100mm f\/2<\/strong><\/li>\n\n\n\n
            • Otus-Serie<\/strong> (High-End-Luxusobjektive f\u00fcr Canon\/Nikon): z.\u202fB. Otus 55mm f\/1.4<\/strong><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n

              Cine-Objektive<\/h4>\n\n\n\n
                \n
              • CP.2 & Compact Primes<\/strong> f\u00fcr professionelle Filmkameras<\/li>\n\n\n\n
              • Supreme Prime<\/strong> Serie f\u00fcr Hollywood \u2013 extrem teuer, makellose Qualit\u00e4t<\/li>\n<\/ul>\n\n\n\n
                \n\n\n\n

                5. Zeiss & Sony: Autofokus-Zeitalter & Batis, Loxia, Touit (2013\u2013heute)<\/strong><\/h3>\n\n\n\n

                Zeiss ist Partner von Sony<\/strong>, u.\u202fa. bei der Entwicklung der Alpha-Serie. Es entstehen neue Produktreihen:<\/p>\n\n\n\n

                Serie<\/th>Mount<\/th>Eigenschaften<\/th><\/tr><\/thead>
                Batis<\/strong><\/td>Sony E (AF)<\/td>Autofokus, OLED-Display, wetterfest<\/td><\/tr>
                Loxia<\/strong><\/td>Sony E (MF)<\/td>Manuell, kompakt, sehr pr\u00e4zise<\/td><\/tr>
                Touit<\/strong><\/td>Fuji X \/ Sony<\/td>APS-C, Autofokus<\/td><\/tr>
                Otus<\/strong><\/td>Canon\/Nikon<\/td>Referenzobjektive (manuell)<\/td><\/tr>
                Milvus<\/strong><\/td>Canon\/Nikon<\/td>Nachfolger der ZF\/ZE-Serie (manuell)<\/td><\/tr>
                Supreme Prime \/ CZ.2<\/strong><\/td>Cine<\/td>F\u00fcr digitale Kinokameras, 4K\/8K-ready<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
                \n

                Zeiss hat keine eigene Kameras mehr<\/strong> (abgesehen von der Zeiss ZX1 mit Lightroom an Bord \u2013 gescheitert).<\/p>\n<\/blockquote>\n\n\n\n

                \n\n\n\n

                Fazit: Zeiss = Glasperfektion mit Geschichte<\/h2>\n\n\n\n
                  \n
                • Die Planar<\/em>– und Sonnar<\/em>-Rechnungen von Zeiss sind seit \u00fcber 100 Jahren Referenzdesigns.<\/li>\n\n\n\n
                • Zeiss pr\u00e4gte sowohl die analoge wie auch digitale Foto- und Kinowelt massiv.<\/li>\n\n\n\n
                • W\u00e4hrend die Produktion heute oft ausgelagert ist (z.\u202fB. an Cosina in Japan), bleibt das optische Design, die Qualit\u00e4tskontrolle und T*-Verg\u00fctung<\/strong> bei Zeiss in Oberkochen.<\/li>\n<\/ul>\n\n\n\n

                  <\/p>\n","protected":false},"excerpt":{"rendered":"

                  Die Geschichte der Zeiss Objektive ist eine der \u00e4ltesten, traditionsreichsten und technologisch bedeutendsten in der Welt der Fotografie. Sie umfasst mehr als 130 Jahre Entwicklung \u2013 von der fr\u00fchen Optik f\u00fcr Plattenkameras bis zu heutigen Hochleistungsobjektiven f\u00fcr Digitalkameras, Film und Industrie. ZEISS Objektivgeschichte in 5 Epochen 1. Die Anf\u00e4nge \u2013 […]<\/p>\n","protected":false},"author":1,"featured_media":7954,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[173],"tags":[227,222,226],"class_list":["post-7952","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-marken","tag-lens","tag-objektive","tag-zeiss"],"yoast_head":"\nObjektive von Zeiss – Fotograf in Luzern<\/title>\n<meta name=\"description\" content=\"Zeiss geh\u00f6rt zu den ganz grossen Herstellern von optischen Ger\u00e4ten. Mikroskope, Objektive und vieles mehr. 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